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顾熙丽结婚已经结完婚的胡秋雨和孙红云也来了两人塞给了顾熙丽一个红包柳云云今儿个是伴娘笑着说：没想到年纪最小的熙丽结婚都比我早呢王静挺着肚子过来许草丫搀扶着她进了...许草丫摇了摇头觉得这个李诗雨是不是气大伯母才跑去市医院去生孩子的上回她听大伯母说李诗雨现在对象的单位附近就有个医院里面也是可以生孩子的吃好饭许草丫又泡了个... 详情
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鸡蛋西红柿
梅姐离开的时候我还很小但久有耳闻她是个会肝胆相照的义气中人提早看完片子百感交集试图从中拼凑出她在我记忆中的一些印象伴随片尾曲歌之女再次想起电影内容那个她只能在嘈杂环境中入睡的情景那个她坚韧的目光她的人生她的故事仿佛浓缩在她舞台上穿着婚纱的回眸一刻如今有这部电影来怀念再见我们的十年 电影希望永远有人记得她爱着她和那个时代的橙色记忆
黑色长尾夹
In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.
鱼小丸子
【再见我们的十年 电影】视听氛围是真的震撼这不像是科幻故事倒像是神学与哲学的隐喻结局如同亚当夏娃的再聚迷幻的意象是好看滴但在这样一个偏向写意乃至于迷幻的主题下用惊悚片的拍法未免让人出戏要这样杂烩不如拍成四集的迷你剧个人虽感觉有点故弄玄虚不过文本是开放滴解读空间也是很大滴
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